A Day in the Glamorous Life of Lexx

LexxieWe creatives have perfect lives. We get up in the morning and make ourselves a cup of French roast coffee, then sit down in our underwear and blissfully pound out 5,000 golden words in our next masterpiece. By that time it’s just past lunch so that we can get together with our other glamorous friends to plot and discuss our last six-figure royalty check. Finally, dinner rolls around and we order something fabulous to go with the expensive bottle of chardonnay we’ve been chilling.

You know that’s bullshit, right?

No kittens, I’m afraid it isn’t like that at all. Most people in any creative field will tell you that this life isn’t for the faint of heart. You’ll likely never be super-famous. You’ll likely never be completely financially stable. Most of us have day jobs and obligations and soccer practices just like everyone else. To prove it to you, I’ve compiled a little glimpse into a day with Lexx.

7:30am: My alarm goes off for the final time after my husband Tally has attempted to beat it to death. I roll out of bed and into the bathtub. Mind you, this is the bathtub with the hole we’ve been fixing with epoxy for two years.

8:30am: I clock in at my dayjob as the jury coordinator for my county. That’s right, when you get pulled for jury duty, I’m the one you call and shout at. I begin answering calls with fairly lame excuses almost as soon as I walk in the door, in addition to helping folks with their court-related questions (What time is court? I forgot to pay this traffic ticket from two years ago and now they want to suspend my license. How much is my fine? I got served with a paper that I’m going to be coy and mysterious about so that you have to guess how to help me.). I put in my eight hour day at work. In between I try to get some words down (usually about 1000) and take care of marketing stuff (newsletter, social media, organizing events, researching ad space, writing blog posts– guess where I’m writing this).

5:00pm: I get home finally. Unless I have some other stuff planned (writers’ group “shenanigans” is on Thursdays, friends’ book signings, etc.), I try to sit down and decompress a little. I read books that I’m reviewing or beta reading, read for pleasure, play with my dog, peruse Facebook, or even nap.

6:00pm: The dear husband gets home and we cook dinner, do some laundry, clean up a bit, and finally manage to sit down and eat something.

7:00pm- 12:00am: I write, or try to write. That is not to say that I don’t get distracted. I have some shows I watch faithfully and often livetweet (@LexxxChristian on Twitter if you’re interested), but I try to write on either my WIP or sometimes blog posts if I need to catch up. I sometimes use this time to load up Hootsuite or create graphics for promotion.

When my day is done, I often drift off to sleep thinking about all the writing projects that I didn’t finish.

The point of all this is: don’t go into writing or any other artistic field thinking that it’s going to be an easy way to make money. Trust me, it isn’t. This dayjob is what pays my bills. I write because I love it. I write because I need to get the words out. I write because I need to escape. It isn’t glamorous, but it’s what I was born to do.

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Top Ten Horror Movies with Crymsyn Hart

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It’s been a while since we last spoke. Let’s just put it this way, kittens— it’s been a long summer. But now we’re back and the autumn is upon us. You know what that means: it’s time for all things spooky!! And let’s kick off the spookiest season of the year with author Crymsyn Hart. This week she’s hopping from blog to blog promoting her Deathly Encounters series. I asked Crymsyn to pop over and talk to us about her top ten most HAIR RAISING HORROR MOVIES!!!

Since I write about Grim Reapers, you would have to say that I must have been influenced by something. Well, that is true. I am a lover of horror movies. Here are my top ten favorites…

  

  1. Poltergeist – The original not the remake
  2. The Thing – The Kurt Russell version.
  3. The Ring
  4. Jaws
  5. Rose Red
  6. The Shining – the TV movie not the Jack Nicholson version. Great movie, but not one of my favorites.
  7. Dawn of the Dead
  8. The Exorcist
  9. The Conjuring
  10. Puppet Master

Well I don’t know about you guys, but I definitely added some movies to my Halloween Watch-list!

Here’s a little bit about the second book in the Deathly Encounters series, DEATH’S REVIVAL, available NOW from Seventh Star Press…

Becoming a grim reaper was right up my alley. I enjoyed being dead. I helped souls crossover into deathsrevivalcover1200x800either Heaven or Hell with my fellow reaper, Than. For two years, I enjoyed my life and then the killings started. Psychics were being murdered at haunted sites and souls disappearing.

Someone was tampering with the fabric of the universe, trying to draw something evil into this world.

To do that, the killer needed the souls of the psychics and the ghosts he could gather to open the doorway. I was charged with saving those souls and find out who the serial killer was. Yeah, being used as bait was definitely not my first choice, but who can kill a grim reaper?

I’m already dead. With Than’s help, I’ll stop the evil from penetrating this world so I can get back to my soul gathering.

I mean the dead stay dead, right?

Get it now from these fine retailers:

Amazon                                            Barnes & Noble                                         KOBO

About Crymsyn…

crymsynhart_authorphotoCrymsyn is a National Bestselling author of over seventy paranormal romance and horror novels. Her experiences as a psychic have given her a lot of material to use in her books. She currently resides in Charlotte, NC with her hubby and her three dogs. If she’s not writing, she’s curled up with the dogs watching a good horror movie or off with friends.To find out more about Crymsyn:

Website: http://www.ravynhart.com

Twitter: @crymsynhart

Blog: http://www.crymsynhart.blogspot.com

Facebook: https://www.facebook.com/crymsynhart

Amazon: http://www.amazon.com/Crymsyn-Hart/e/B002BMJ1Z0/ref=sr_ntt_srch_lnk_1?qid=1405515745&sr=8-1

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Author Seeking Complex Readers

 

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Greetings from the world of the living! It’s been a while, but I hope you’ve all been well. I’ve been writing my little heart out the last month trying to finish up my upcoming release from Little Red Hen Romance. It’s a charming little #Sherlock Holmes #mystery entitled “Chasing the Dragon.” It’s a bit longer than the regular LRH release, coming in at just under 30K. But the 30K are well worth it in my humble opinion. As I was talking to my editor about it this morning, we inevitably veered the conversation into that deep, dark pit– how to sell more books? It’s a question that is always on the minds of writers these days. Many of my colleagues have gone from selling enough books to make their car payment to barely selling enough to warrant a check. There are so many layers to this question that we can’t even begin to examine all of them, but I wanted to focus this blog post on the most important one:  YOU, dear reader.

Picture it, Facebook: 2016. A beautiful young writer is browsing the author groups and reading blogs. She is puzzled, as she keeps seeing words like “BESTSELLER” and “5 STARS.” The problem is, all the books that had been tagged as “BESTSELLER” or “5 STARS” seemed to be carbon copies of one another. And they certainly weren’t the kinds of books that the young writer was churning out at light speed. Romances that weren’t even remotely romantic that featured predatory relationships, unreal situations, no high-stakes conflict, increasingly whacked-out scenarios– the list goes on. And apparently readers are lapping it up like milk and honey.

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Something about this just doesn’t gel.

I know readers, particularly romance readers, are smarter than this. I know they want complex stories that aren’t just about the sicky-sweet love and the increasingly disturbing sex. And how these two things exist in the same story still escapes me.

Here’s what I want in a reader: 

Someone who believes in love. I often get the impression that the people writing 50 Shades knock-offs think that love is a joke. That the fairy tale stuff doesn’t exist so we may as well make it a humiliating experience that no one will enjoy. Love ISN’T perfect, but it is out there. Sometimes hiding in the most unlikely of places.

Not a hopeless romantic, but a hopeful one.

Someone who wants adventure and a complex storyline in their romance. It doesn’t have to be all about the romance. There should be more at stake than an old boyfriend blowing back into town. Romance CAN exist in the midst of an international incident. Or on an interplanetary mission to save the sun. Or between a dragon and the slayer sent to kill him on behalf of the government. Romance novels don’t HAVE to be Hallmark Channel movies of the week.

Someone who isn’t just reading from one sex scene to the next to get off. That’s what Penthouse Letters are for.


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So where can you find these amazing feats of literary fitness? Well look no further than Little Red Hen Romance. It’s co-op of authors, Lucy Blue and yours truly, work tirelessly to bring meaty love stories to the complex reader. That reader that wants to lose themselves in the magic and adventure of a damn good story and feel the heart flutter as they witness two people falling in love.

I know you’re out there.

GUEST POST: 5 Tips for Writing a Humorous Novel with Karina Fabian

NeetaLyffe_ILeftMyBrainsinSanFrancisco_audio_MEDWith all this talk of horror and mayhem lately, I thought it might be nice to feature an author who not only knows her way around a horror novel, but can also make us DIE laughing.  Get it… DIE laughing?  Ahem… anyway, here today at The Belle, author Karina Fabian is going to be educating us on the art of comedy as featured in her new audiobook release, I Left My Brains in San Francisco.  So without further ado…


I’ve always enjoyed being silly. I fell in love while trading puns with a new friend who is now my husband of nearly 25 years. At work, I’ve been known to put our skeleton in funny places, like the bathroom stall for “private time.” When I was asked to write a zombie story, I got into a silly mood, and the story, “Wokking Dead,” ended up being more an apocalypse of puns than undead. However Neeta Lyffe (say it out loud) was a character of such character that my publisher asked me to writer her in a novel. Neeta Lyffe, Zombie Exterminator won awards, and now I’ve written the second, I Left My Brains in San Francisco, which comes out in audiobook this month.

Not everyone can write funny stories, nor does everyone want to. But if you’d like to try to make someone graffaw in a library or snort soda out their nose while reading in a cafe, here are some tips:

  1. Make Yourself Laugh. I mean it. If you don’t enjoy your own jokes, why bother writing them? You should laugh when you read your own work. If it’s not funny to you, how can it be funny to anyone else?
  2. Keep your pacing. Just like a comedian needs to pace his punchline, you need to pace the humor of your story. Be sure you set up the joke but don’t overstate it. Get the punch line in and give the reader a chance to laugh. Hit them with a surprise.
  3. A novel is not a series of jokes. It’s a story. Just like no novel is all dialogue or all long descriptions of the scene, a humorous novel is not all slapstick and comedy. In fact, properly placed seriousness can make the jokes all the better. My funniest novels have serious things happen in them. Sometimes, they are quiet moments to let the characters (and the reader) catch their breaths. Sometimes, they are the tragic consequences of what was a humorous scene. Other times, they are touching moments or intense action. You might say it’s a yin-yang kind of thing, but it adds depth and complexity, which makes a better novel all around.
  4. Don’t force the humor. Sometimes, all the machinations in the world will not let a joke go through in a novel, even when it seemed so funny in your head. Cut it the way you would a bad description or laborious dialogue. Also, be careful that your humor, especially political/social/religious humor, doesn’t cross the line to insult (unless that’s what you’re going for, but then be prepared for it to not be so funny after all.)
  5. Don’t expect everyone to get all your jokes. I’ve had critiquers who did not understand my humor. I’ve had editors try to fix the manuscript by changing punch lines (or punch scenes) to funny pieces they did not get. Even “Neeta Lyffe,” which I thought was a pretty obvious pun, has to be explained sometimes. (And pronounced. It’s like Need-a-Life, not Need a Lift.) Having said that, if too many of your beta readers don’t get the joke, then you should rethink it.

Laughter has been shown to reduce tension, exercise the cardiovascular system, and encourage a more positive outlook. Writing funny stories promotes good health! (Or so I tell myself when I skip the gym to write.) The great thing is, you get to share the benefits with others. So go write funny! And if your funny bone needs a workout, consider I Left My Brains in San Francisco. It’s even in audio, so you can listen to it while you run!


About I Left My Brains in San Francisco

Zombie problem? Call Neeta Lyffe, Zombie Exterminator–but not this weekend.

On vacation at an exterminator’s convention, she’s looking to relax, have fun, and enjoy a little romance. Too bad the zombies have a different idea. When they rise from their watery graves to take over the City by the Bay, it looks like it’ll be a working vacation after all.

 Enjoy the thrill of re-kill with Neeta Lyffe, Zombie Exterminator.

Excerpt:

Survival Hardware hadn’t seen such a rush of customers since the last Armageddon prediction coincided with Black Friday.

Manager Clint Sanders rubbed his hands with glee. Oh, Marley, if only you hadn’t gotten drunk and decided to go zombie hunting. Was it only last Christmas?

He hurried to Customer Service, crafting an announcement in his mind.  “You want to live!  We want to live!  That’s why you are going to file calmly to the back if you need a suit.”

Yeah.  Sense of urgency, plus that “We’re in this together” crap.

He got to the counter and nodded at Bitsy, who had rung up a chainsaw and a half-crate of bleach.

God bless survivors. Clint continued to the back.  Out of habit, he checked the exit door, even though it was always locked from the outside.  He needed to delete Marley’s old code from it.

He cleared his throat.  “Listen up!  You want to live!  We want to live!”

The exit door clicked.

“That’s impossible!” he declared.  The store fell silent.

“Boss?” Bitsy’s voice ended in a squeak.

“That’s not what I meant!  Security team to customer service!”

He reached under the counter for a shotgun.  Bitsy grabbed the chainsaw.  They had filled them that morning—another example of the excellent service at Survival Hardware.

The door swung open, and the zombiefied remains of his late business partner, Marley, staggered through.

Clint to blasted him with the shotgun.  The impact knocked the Marley out the door.

Clint used the gunsight to scan the parking lot.  “He brought friends!  Call Nine-One-One.  I’m putting this place on shutdown.”

“Screw that!  I’ve been prepping all my life for this!”  With a howl of challenge, Bitsy dashed out the door.  She swung low and decapitated her former boss before moving on.

Thundering footsteps signaled the customers following in her wake.

He gaped at the carnage while Dirk called 9-1-1.  It’d be too late by the time they got there.  All that’d be left was to clean up the zombie parts and get the customers back in to pay.

God bless survivors.

Find I Left My Brains in San Francisco (also available in audio) HERE:

Damnation Books: http://www.damnationbooks.com/book.php?isbn=9781615727643

Amazon: http://amzn.to/Nzm01L (paper) http://amzn.to/OBBmkL (Kindle)

More about it at http://zombiedeathextreme.com


About Karina Fabian:

Winner of the Global eBook Award for Best Horror (Neeta Lyffe, Zombie Exterminator), Karina Fabian’s writing takes quirky karinachainsaw2tales that keep her–and her fans–amused. Zombie exterminators to snarky dragons, things get a little silly in her brain. When she’s not pretending to be an insane psychic or a politically correct corpsicle for a story, she writes product reviews for TopTenReviews.com and takes care of her husband, four kids and two dogs. Mrs. Fabian teaches writing and book marketing seminars online.

Website: http://fabianspace.com, http://zombiedeathextreme.com

Facebook: https://www.facebook.com/karina.fabian

Twitter:  http://twitter.com/#!/KarinaFabian

Google +:  https://plus.google.com/103660024891826015212

Goodreads: http://www.goodreads.com/user/show/10981939-karina-fabian

What I’ve Learned About Editing

me and amy (2)OMG… can it be that The Belle herself is posting on the blog today?  Why yes!  Your eyes don’t deceive you.  It’s really me this time.  I figured that I should share my genius with you since it’s been a while (tongue placed firmly in cheek).  The truth is, I’ve been really busy the last few weeks.  I know it doesn’t seem like it, but I really have.  I’ve got two new releases with Little Red Hen Romance this month and I literally finished the edits on one of those stories the day before release.  I’ve also been knee-deep in the edits for the Sherlock Holmes anthology, An Improbable Truth: The Paranormal Adventures of Sherlock Holmes, which will be hitting eBook shelves on October 27, 2015.  And speaking of editing, that’s the purpose of my article today.

I’ve been a part of several anthologies as an author but An Improbable Truth is the first time that I’ve been on the other side of the editorial desk.  Yes, my evil alter-ego, A.C. Thompson is the editor of this collection.  And lemme tell you, kittens– it’s been a learning experience.  It’s had its ups and downs but I like to think the process has been pretty smooth for all those involved.  But now that I have something to compare it to, here are some things that I’ve learned.

  1. Have a schedule in place.  This is actually good advice for most endeavors, but it’s really essential if you’re going to take responsibility of other people’s work.  Before the call ever goes out, you should have a clear timeline in your head of not just when the release date is but other important things like:  when will the submission window close, when will everyone’s stories be accepted or rejected, how are you going to let them know, when do contracts go out, when do you project having your first round of edits done, your authors turn in those edits by what date, when is the deadline for cover art, etc.  Now these dates don’t need to be set in stone, but you should have some idea.  No one should be floundering at the last minute.
  2. Be a professional.  Let me say that again.  *In her best Christian Bale voice* BE A FUCKING PROFESSIONAL.  Ahem, that felt good.  Anyway, remember kittens– this is not the church bake sale.  This is someone’s hard work that you’re screwing around with here.  These people are not donating their work to your cause, they’re giving you something for publication that they will hopefully make a little money from.  That means that you cannot keep their work indefinitely in limbo never telling them whether their story got in or not or never sending them a contract.  Authors should NOT find out that their story wasn’t accepted by reading the release announcement. Nor should you keep them on a mailing list that constantly says “just because you’re getting this doesn’t mean you’re in the anthology, just fyi.”  It’s rude, it’s confusing, and it keeps an author’s story on the hook for ages when they could be submitting it to someone that might accept it. Rejections are the most un-fun part of the process, but they’re just as necessary as the acceptances.
  3. Don’t become an editor if you don’t have any credentials other than you’ve read a book before.  I decided to pitch the idea of An Improbable Truth because I’m a huge Sherlock Holmes fan, the copyrights had been released, and there weren’t any other paranormal/ horror Sherlock anthologies out there.  Before I made the decision to pitch to my wonderful publisher, Nicole Kurtz, I thought about whether or not I was equipped to edit someone else’s work.  So here it is:  I graduated from Winthrop University with a degree in Education.  Part of that program required that I complete college level work in writing and grammar.  Up to this point I’ve published two novels a slew of short stories and novellas, and a magazine article with several reputable presses.  I’ve written five novels.  I have also been through a hard edit with a professional “big 5” author and editor.  Do I think I know it all?  Hell no!  I have called on the help of my sister who has a Master’s Degree in English as well as other editors many times.  Trust me, commas are not my friends. But if you don’t have a grasp of language in your own writing, you probably shouldn’t be an editor.  Sadly, this is an epidemic in the self-pubbing/ indie world.  We scream that we want to be taken seriously, but kids– big time publishing is never going to take us seriously until we hold our authors to the same standard as they do.  And that means good writing and professional editing.
  4. I am your editor, not your mama!!  Therefore, it is not my job to teach you to write or completely re-write your first draft.  I actually overheard an author tell someone, “It doesn’t matter if I can write.  That’s what the editor is for.”  WRONG! WRONG! WRONG!! It is your job as the writer to write a great story, polish it up (DO NOT SEND YOUR FIRST DRAFT), and edit– not write a ten page dissertation on why the editor is wrong and you’re right.  The editor is an unbiased third party whose only interest is in making your story the best it can be.  Don’t fight them every step of the way.  If you disagree with something, discuss it.  Don’t stomp your feet like a toddler and refuse to change it.  Or make up some silly excuse as to WHY you can’t edit.  It is worth noting that I did NOT have this problem on the Sherlock anthology.  Every single author I have is the picture of professionalism and talent.  I may be slightly biased, but seriously… these guys and gals rock!
  5. Have a plan for promotion.  This is particularly for the editors of anthologies.  Now you might say, “That’s not my division.”  Well Lestrade, yes it is.  If you’re editing an anthology for a small press it IS your division.  Finding as many places to get the word out about your authors and your book is part of your job description.  You don’t just send these things out into the world and expect them to swim on their own!  You have to be creative.  Think outside the box.  While you’re sitting here reading this ridiculously long diatribe, five anthologies just hit the shelves.  You have to make your book stand out.  Why should people buy YOUR anthology and not the other one.  And don’t worry, you aren’t alone.  Your publisher and all those lovely people who contributed to the anthology are there to help you.  They should have a plan for what they’re going to do as well.  And you’ll, hopefully, all succeed together.

So that’s it. That’s what I’ve learned so far and trust me– it’s a process.  I don’t know it all and probably never will.  And of course, these are all just my opinions.  We’ll see if they work at all in a few weeks.

Why Little Red Hen, or How I Found Unexpected Success as a Self-Published Author

hen-logo-goodIt always seems that I’m posting in my blog when the world just becomes too much.  Today isn’t really an exception but I think that I will rekindle some hope by the end of it, so here goes.

I’ve been a published author since October of 2010.  Yep, I’m coming up on my five year anniversary as a “real” writer.  If you’ll notice, I’m writing this post from the computer at my day job.  I’d like to say that I was reciting it to my assistant while I sat by a pool in some tropical locale, but alas I’m still a peon.  I have lots of irons in the fire and I’m still pretty excited about my career as a whole, but some days I just wonder why I bother.  Case in point….

I spend an awful lot of time on social media.  Most of us do, but to an author, social media becomes extremely important.  You find yourself perusing Facebook because you HAVE to, not because you want to.  I actually had to force myself on to Twitter the other morning.  Social media is a great way to get your name out there as an author.  Unfortunately it’s also a cesspool of depraved and broken idiots an awful lot of the time.  It’s really easy to fall into a black hole of thinking that you’re alone in a room full of goldfish.  People have fabricated intellect on nearly every topic.  Their misguided and uneducated opinions that ten years ago they would have kept to themselves are now all out in the open for everyone to see.  And everything feels justified because even if you say that putting babies on spikes is a great idea, there will be a thousand people to rush to your cause in the all-powerful “comment” space.  There are days when I feel as if Facebook, Twitter, Google+, tumblr, etc. are the death knell of life and civilization as we know it.  Days like today when I was perusing my feed and noticed that someone was in a group trying to sell me a book that had a cover with a picture of a woman with her nether regions almost completely exposed and a title that I won’t repeat but had the phrase “bitch ass” prominently featured.  And if memory serves, a woman wrote this book.  And was selling it as a romance.  Another had a teaser with “enticing” lines from the book that were full of grammatical and spelling errors, degrading phrases and just terrible writing.  And this was what the author wanted to FEATURE on her advertising.  On days like today, I start to wonder why I’m even bothering.  If my stuff is going to be drowned in a sea of crap, what is the point??!!

This conversation is not new.  My sister, author Lucy Blue, and myself have had this discussion ad nauseum.  In fact, our brother-in-law told us one day if we didn’t stop that we couldn’t sit at the table with him anymore.  And I’ve also talked about this quite a bit on the blog (see archive).  But today, I’m going to pick myself up by my bootstraps and tell you what Lucy and I have decided to do about this.

Now, I’m giving ALL the credit to Lucy here.  This whole thing was her idea, I just jumped on her bandwagon.  In case you didn’t know, Lucy’s been around for quite some time.  Back in the mists of time she wrote a tie-in novel for Forever Knight, a series of medieval fantasy romances for Simon & Schuster, and another series of vampire romances for Pocket Books.  In other words, she ain’t a newbie.  But several years ago people in positions of power decided that romance was either pornography or nonexistent and she took her ball and went home only to re-emerge as an indie author two years ago.  And what an eye-opener that was.  Suddenly she was dealing with social media and a really strange market.  A market where people weren’t buying good stuff.  They were buying crap because it was either really cheap or so outrageous that it was funny.  A market where people just aren’t willing to spend 8 bucks on a book anymore.  So she did some research in that most unlikely of places:  the beauty salon.

If you’ve never been to a beauty salon in the South, I highly recommend it.  In the small town where we live, we don’t need a newspaper, we’ve got Cuttin’ Loose.  Anyway, while sitting in the beauty salon she could hear some women talking about what kinds of things they were reading on the new Kindles they got for Christmas.  The things that all of them kept saying they wanted:  good stories, without “nasty” language, explicit but not “gross, romantic, things they could read fast, authors that produced a lot of material to feed their appetite, easily accessible, and cheap.  And thus, Little Red Hen Romance was born.

The Coop opened it’s doors in May of this year and since then I’ve seen more success there than I have in the five years I’ve been writing professionally.  So what’s the deal?  What is it?  Little Red Hen stories are short (except for some coming releases that I’ll tell you about later).  They only take about an hour (the space of your lunch break) to read.  They’re extremely romantic stories.  Nobody will be degraded, “hit and quit,” spat on, cursed at, etc. in an LRH story.  The hero and heroine may not be in love when the story begins, but they are by the end.  The writing is strong.  Really strong.  NYT Bestseller strong.  You don’t have to worry about plot abysses, unbelievable turns of events, bad vocabulary, poor word choice, horrendous dialogue.  It doesn’t exist.  We only accept the most talented writers we can find.  Our stories are love stories that are funny, sexy, and have excellent dialogue.  LRH releases 3-4 NEW stories each month, so your appetite is constantly fed.  Even better than that– the first weekend they’re released they’re FREE. And if you’re a member of Amazon Prime, you can read on Kindle Unlimited for FREE anytime.  And once they go off promotion, the shorts are never more than 99 cents.  Never.  In the coming months we’re looking to expand into novels and anthologies but those will still be sold at a rock bottom price.  Most subgenres are represented, but historicals seem to be our bread and butter lately.

So give us a try.  You can peruse our selection at the website by clicking on the picture above.  I promise you won’t be disappointed.  You can also follow us on Facebook and Twitter.  We’re constantly having release parties, livetweets and just having a great time.

Just in case you still have any doubt… here’s a sample:

He winked and bid her to sit.  “Please.  Sit with me here.”  She was very careful as she lowered herself on the end of the queenLRHbench, arms crossed over her chest.  He was close, making her anxious.  As he sat she realized that she was actually leaning away from him.  She didn’t want him to see how her hands trembled even weighed down by the magnificent ring of diamond and sapphire.  “You can sit by me, Joanna.  I don’t bite.”

“Of course,” she said, inching closer.  “You’ll have to forgive my nature.  I’m not used to much company.”

“Well, in a convent…”

“…not that they were a silent order.”

“…but what could nuns possibly have to talk about?”

“Indeed.” 

“Our Lord Jesus, hellfire and the virgin Mary are pretty much their repertoire of conversation topics.” 

Joanna giggled, covering her mouth with her hands.  She’d been taught that a lady should never laugh out loud, but she was just so relieved to find that Will was not the wretched king from a child’s story.  “You mustn’t be blasphemous.”

“Oh I should warn you now, then.  I am the most wicked of blasphemers.” He placed his hand atop hers and squeezed affectionately.  “But I hope you’ll forgive me, my queen.”

Joanna looked down at his hand, so large and calloused against her own small and delicate fingers.  She laced hers between and admired the contrast.  “Your Grace is always forgiven.”  She moved closer to him, and he welcomed her into his side, sliding an arm around her shoulders.

A Checklist Before Entering the Imaginarium

imaginarium

I’m a crazy person today.  And it’s not likely to get any better.  Those of you that read the Belle regularly know that this isn’t significantly different than how I normally am.  But today there IS in fact a reason.  In a day and a half, I’ll be heading to Louisville, KY for this year’s Imaginarium Convention.   Most of my author friends attend conventions throughout the year: Dragon*Con, MystiCon, ConCarolinas… VaginaCon… just kidding about that last one.  Conventions are hard work, but they’re probably the most fun promotional event I do as an author.  I get to meet people, network and get together with friends I never get to see.  What is the Imaginarium Convention, you ask?  Only the most awesome concept for a Con I’ve ever heard of.  The whole thing started as an innocent conversation between brainchild Stephen Zimmer and some other authors. What if we could take the fun concept of the sci-fi convention and roll it into those expensive writer/ reader cons like RT Con or Romanticon or Book Expo?  Imagine it– an AFFORDABLE convention where writers in ALL GENRES could get together and do panels, readings and signings AND sell their books AND participate in cosplay AND gather with other fanpeople (because we know that most artists are geeks– after all, let us not forget that all fandoms originate with some sort of writer).  Crazy thought isn’t it?  Not so, says Stephen Zimmer! And thus, The Imaginarium Convention was born.

So back to why I’m a crazy person.  Because, like most Cons I participate in, I’m so not ready.  To the untrained eye, when I do panels, I usually look pretty put together.  I have books and cards and my tablet with a scroll of my book covers and I’m wearing lipstick– the whole shootin’ match.  THIS IS ALL A FACADE!  I have a million things to do between now and Friday at 5am when I leave to go up.

Lexxx’s To Do List: 

*  laundry

*  cheap ass beauty maintenance:  self-serv mani-pedi, eyebrow plucking, moisturizing, trimming the verge…

*  robbing Peter to pay Paul

*  packing

*  cutting up the wiener dog’s epilepsy pills so her poor father doesn’t have to do it

*  update all links for flyers

*  create flyers for the #TeamErotica panel

Ask me how much of this has been done.  You guessed it.  None.  So I suppose I’ll get started on that tonight.  In the meantime, if you’re in the Louisville area this weekend, I’d love to see you!  Admission is $35 for the weekend, but I think you can buy day passes.  It’s a steal for anyone who aspires to write, loves to read and discover new authors or just have a fantastic time.  If you’re there, come on over and look for me.  I’ll be the one in the tiara!

For more information about Imaginarium, click the graphic above OR find us on Facebook @ https://www.facebook.com/imaginariumconvention